Keeping you informed about Palestinian cultural heritage research, and our work here at the Archive

Keeping you informed about Palestinian cultural heritage research, and our work here at the Archive

Friday, April 27, 2012

Great article on Faith Fashion Fusion exhibition

Zulfiye Tufa, Reem Hakem and Toltu Tufa are part of the 
My Dress, My Image, My Choice fashion show at Northcote next week. 
Photo: Simon Schluter 
Courtesy: The Age website: Fabric interwoven with faith

Great article by Janice Breen Burns in two Australian newspapers promoting both The Powerhouse Museum's forthcoming "Faith, Fashion, Fusion: Muslim Women's Style in Australia" exhibition and the next "My Dress, My Image, My Choice" event.

We look forward to reviewing "Faith, Fashion, Fusion: Muslim Women's Style in Australia"  when it opens in early May :)
Fabric interwoven with faith
Janice Breen Burns
The Age April 28, 2012 (also The Sydney Morning Herald here)
 FASHION designer Howayda ''Helena'' Moussa, 35, remembers the delicious moment two years ago when she assumed hijab, fastening a headscarf around her hair for the first time. ''It was the most amazing feeling I had in my life,'' she says. ''I suddenly felt protected and safe.'' She'd also swapped her sassy ''boob tubes and backless summer dresses'' for the long sleeves and loose silhouette of modest Islamic dress and was shocked at the immediate effect. ''If I was speaking to a man, he would look into my eyes, not at my chest,'' she says. ''He would talk to me.'' 
Only one drawback marred Moussa's unexpected joy. She loves fashion, ''but traditional Muslim outlets have mostly very basic things'', she says. ''Very dark things.'' Her only option was to do as fashion-loving Muslim girls and women increasingly do: harvest what she could from high-street chains and make the rest herself. 
It was an ad hoc, unsatisfying compromise that evolved into a frustrating nightmare in summer when Moussa fossicked for long sleeves in a sea of singlet tops and stringy frocks. She and her sister Hanadi ''Hannah'' Chehab, 41, decided it simply wasn't good enough and vowed to offer Muslim women more fashion-friendly options. 
In Sydney's Muslim heartland, Bankstown, they rented an empty shop, hung out a shingle, Integrity Boutique, and stocked it with their own hybrid Islamic-Western fashion designs. ''We even took the [long-sleeved full-length traditional Muslim tunic] abaya and made it funky,'' Chehab says, giggling. Although she chooses not to adopt the hijab herself, Chehab is sympathetic to her sister's choice and is engrossed in designing for her. ''We both love designer clothes, we love up-to-date, feminine colourful fashion and accessories so that's what we sell.'' Colours, patterns, textures, details and trims are key. 
The sisters' business is one of a small but growing number of boutiques and brands, including the well-known Hijab House, established by Tarik Houchar in 2010. ''Modest fashion is one of the fashion industry's largest potential growth areas,'' says Glynis Jones, curator of Faith, Fashion, Fusion: Muslim Women's Style in Australia, a ground-breaking exhibition opening at the Powerhouse Museum in Sydney next week. ''Many Muslims born here are forging their identity without some of the cultural background that impacted on their parents' generation,'' she says. The juxtaposition of religious tradition with modern Western culture is producing its own sartorial expression. ''They're renegotiating their faith and their place in Australian society. And they're interpreting the word 'modesty' in many different ways … It's a very big choice to express your faith so visibly. It's inevitable you'll become a kind of ambassador for your faith.'' 
Moussa agrees. ''Behind every scarf there is a different story, a different journey,'' she says. She often tells how hers began, after the sudden death of a friend. ''I wanted to get closer to God.'' 
However, for Melbourne sociologist and consultant for Faith, Fashion, Fusion, Susan Carland, 32, it was a slower process that started when she was 17. ''I started to wonder why I believed what I did,'' she says. ''I was raised in a Christian family but I started looking for answers to life, the universe and everything.'' She converted to Islam and assumed hijab at 19. ''I liked the idea of a religion that encouraged questioning,'' she says. 
Since then, Carland has answered thousands of questions about the religious, political and individual significance of her clothes through the regular event My Dress, My Image, My Choice. These fashion shows have run in community settings across the country for 10 years. Melbourne mother Saara Sabbagh established the event to bridge a gap that opened between Muslims and non-Muslims after the attacks on the US on September 11, 2001. 
At the My Dress shows, Carland and Sabbagh answer basic questions: that the hijab scarf is worn draped to the shoulders; that modest layers mask, rather than emphasise, the figure and leave only the face, wrists and ankles exposed; and that burqas come in various forms with the most extreme, in some cultures, featuring a gauze panel over the eyes. ''Modesty'' is interpreted in different ways by Muslim men and women depending on their cultural, religious and personal criteria. 
''People are fascinated, horrified and curious because there is just so much baggage associated with our clothes,'' Carland says. ''They're either a symbol of repression, or they're a personal [liberating] choice, or they're something else … We need to see Muslim women as more than this piece of fabric.'' 
According to Houchar, 23, who started Hijab House when his sister, then 16, adopted the hijab two years ago, the Powerhouse Museum exhibition explores a remarkable cultural shift. ''Prior to Hijab House, there was nothing,'' he says. Every morning when his joyful young sister left the house wearing traditional abaya and a drab hijab scarf, he almost wept.
Houchar's partly finished business/law university degree was pressed into entrepreneurial service and now his stores offer a vast collection of the most fashion-forward hybrid Muslim styles in Australia. Houchar is contemplating expansion overseas but, in the meantime, his goal is well and truly reached. ''My sister wears Hijab House every day now,'' he says proudly. 
■My Dress, My Image, My Choice (the final, women-only dinner and fashion show after 10 years), the Regal Ballroom, Northcote, May 4, 0433 771 186. 
■Faith, Fashion, Fusion: Muslim Women's Style in Australia, Powerhouse Museum, from May 5, powerhousemuseum.com




Thursday, February 23, 2012

People We'd Like to Invite to Morning Tea - anyone with Palestine themed bakery items

Source

Late last year Sami Kishawi at Sixteen Minutes to Palestine held a very interesting contest. He posted:
"Earlier this year, I featured a photo of a batch of cupcakes draped in Palestinian flags. It’s time we celebrate Palestine even more! I’ve decided to put together a small contest in which participants must bake, make, or create Palestine-themed sweets. The winner will receive a handcrafted Palestinian flag from the Gaza Strip. It’s a simple prize but because it was put together by the hands of people we admire for their fortitude and strength, the flag carries a great deal of significance. 
"The video ... explains a bit further, but the rules are simple. Design a cupcake or cake, snap a photograph, and send it to smpalestine@gmail.com. The deadline is December 15, 2011, and the winner will be announced the following day. Have fun and I can’t wait to see the final products! A brief suggestion: I urge participants to send the actual cupcakes too, just in case."
We were also very impressed by his judges - he was definitely taking this contest seriously:
"Excitement is high and the judges can’t wait to be impressed. They’ve already provided statements. 
“The children of Gaza broke a Guinness record by flying their colorful kites in the blue skies of Gaza. I envision the same level of enthusiasm from the contest’s participants submitting their colorful Palestinian cupcakes. The difference is that they’re under siege and we’re not. Truly, our imagination should be just as boundless as theirs!” — Anwar Kishawi 
“As someone who has been involved in the global Palestine solidarity movement through public advocacy, education and journalism, and as someone who believes in the redemptive power of baked goods, I am thrilled to merge these two realms together. Freedom for Palestine, and frosting for Palestine cupcakes!” — Nora Barrows-Friedman 
“This cupcake contest is a new way to show love to Palestine through something we all enjoy, cupcakes! We have seen and shown a variety of ideas but not when it comes to food. I’m looking forward to seeing how delicious and Palestine-loving these cupcakes can be. Bring it on!” — Nader K."
Political baking / cooking can be very powerful, especially when Palestinians need to reclaim their own much appropriated cuisine.  One of us even had the Palestinian flag on her wedding cake, which we thought was pretty cool - it was a surprise, but as she agreed later, what could be more perfect?  We'd not thought about combining the cupcake craze with activism.  We knew Sami would get some great responses, and that's exactly what happened. On 21 December Sami posted:
"When I first made the call-out for people to submit Palestine-themed cupcakes and cakes, I wasn’t expecting so many ingenious designs. As promised, here they are, in no particular order. If you haven’t had a chance to check out the winners, click here."
Looking at all the amazing photos of the entries in the contest really made our day. It also immediately put Sami and all the contestants top of our "People We'd Like to Invite to Morning Tea" list. Although sadly they probably think Australia is too far away.

Shortly after we'd had those discussions with Archive staff Students for Justice in Palestine at the University of Technology announced via Facebook a "Palestinian themed cup cake contest":
"We're holding a Palestine cupcake and cake contest in the lead up to Israeli Apartheid Week (March 5 to March 9) on Australian campuses. 
"Why a cake contest? Because we all love Palestine and we all love cake. Combine the two together and, well, *melt*. This is a fun contest that celebrates all that is Palestinian.
All you need to do is bake, decorate (with Palestine in mind) and send snapshots over to sjpaus@gmail.com with your name, location/country and a few words. Be creative and original!  We will send out prizes to the winners! 
PUT YOUR APRONS ON AND SPREAD THE WORD! 
You don't have to be Palestinian and you don't have to live in Australia to enter. The best thing about this is that you get to dig into your creation (once you've sent us the pics first!)"
Blog post with video here.  Get inspired and get cooking, everyone :) 

We've not yet asked permission to reproduce any photos from the SMP contest so you'll need to head over to Sami's blog to see everything (we do hope Students for Justice in Palestine asked permission before swiped the photo they used for their "Palestinian themed cup cake contest"). Also if you are not familiar with Sixteen Minutes to Palestine you should check out the site. We think it's great.

Friday, February 17, 2012

Faith Fashion Fusion exhibition at The Powerhouse Museum

Photo: Sotha Bourn
Courtesy: Powerhouse Museum 


Archive friends may recall our traveling exhibition "Portraits without names: Palestinian costume" was displayed at The Powerhouse Museum in Sydney for more than a year. Now we are all looking forward to a new, inhouse curated exhibition "Faith, Fashion, Fusion: Muslim women’s style in Australia" which is due to open in early May 2012.

Curator Glynis Jones recently posted about the exhibition on the museum's "Photo of the day" blog:
"Over the past year staff at the Museum have been developing content for the exhibition Faith, Fashion, Fusion: Muslim women’s style in Australia opening in May this year. From streetstyle to red carpet dresses, the exhibition will explore the emerging modest fashion market and the work of a new generation of Australian clothing brands offering stylish clothing for Muslim and non-Muslim women. 
"Through filmed interviews and photo shoots we have been capturing the stories and creative process behind some of these fashion labels. Our first photography session documented Hijab House’ fashion shoot for its mid summer 2010 campaign..."
You can read the rest here. We are hearing good things about the exhibition and look forward to seeing it when it opens in Sydney in May.

Saturday, January 28, 2012

Promoting the Women In Hebron embroidery co-op :)




Want to know more?
  • Hebron Embroidery Co-op website here and Facebook page is here
  • 2010 video by Fil Kaler on Vimeo here . Also videos and photos on the Co-op's Facebook page.
  • Aug 2011 Article by Emily Lawrence in The Electronic Intifada here, with text below

What they are trying to achieve:

From their website:
The objectives of the cooperative are to:
  1. Maintain and preserve the Palestinian cultural heritage (and increase awareness abroad).
  2. Raise living standards of Palestinian women through economic independence.
  3. Support women whose families cannot provide for them - and help the women to deal with such family problems
  4.  Obtain basic self-reliance for the women through employment and education within their homes, which gives the opportunity to combine work with family obligations.
  5. Encourage resident and commerce steadfastness in The Old City of Hebron in order to preserve the heritage, culture and history in spite of the continuing suffering that settlers and Israeli army are causing to the community.

Want to help?
  • Visit them at Hebron "We'd very much like to see you here in Hebron. If you wish we can arrange guided tours in The Old City of Hebron and the city of Idna. If you need accomodation we'd be happy to host you as well!"
  • They run an overseas volunteer program - want to help them with English or computer skills?  They'll provide accommodation at their end.    Drop Nawal Salameh a line at nawal@womeninhebron.com or via Facebook
  • Want to help with the retail side of thing? This is a really helpful thing to do. One of the biggest problems these projects faced in the past was getting their products out of the region and seen by others, especially overseas. You can really make a difference, providing a contact point for people in your country who want to purchase and help.
  • Help spread the word by linking to their Facebook page here
  • Donations wouldn't go astray.

****
Emily Lawrence 
The Electronic Intifada Hebron 15 August 2011


Nawal Salameh, founder of the Women in Hebron cooperative, 
as featured in the short documentary Hebron Embroidery Co-op.(Fil Kaler)


A walk through the markets of the Old City in Hebron is a sobering reminder of the effects of the Israeli occupation on the everyday lives of Palestinians. Though the city is deep in the occupied West Bank, more than 600 Jewish settlers have established themselves in several settlements inside Hebron’s town center. The streets of the Old City have been caged in mesh and are full of bricks, bottles and garbage hurled down by settlers in the houses above — an act silently authorized under the watchful yet passive gaze of the ever-present Israeli military.

The military has become a formidable presence in Hebron. The often violent settlers are protected by up to 2,000 soldiers and a combination of military checkpoints, watchtowers, roadblocks, iron gates and shop closures have had a dire effect on Hebron’s economy. Movement restrictions have tightened since the second intifada, making trading almost impossible for the Palestinians and turning a once bustling and thriving marketplace into a ghost town. Streets of shops lie empty and padlocked, and soaring unemployment and a dwindling population make this West Bank city one of the bitterest casualties of the continuing occupation.

Yet in these deserted streets, there are flickers of enterprise and hope. A few businesses still survive in the old marketplace, among them Women in Hebron, a shop and cooperative in the heart of the city, selling traditional Palestinian crafts such as kuffiyehs (checkered scarves), embroidered dresses, cushions, bags and wall hangings, along with slightly less traditional items, including purses emblazoned with the slogan “Women Can Do Anything.” All of the products have been handmade by local women, many of whom rely solely on the cooperative for their income.

Emily Lawrence interviewed the cooperative’s founder, Nawal Salameh, about the challenges and opportunities facing Women in Hebron today.

Emily Lawrence: How did you come up with the idea of the Women in Hebron cooperative?

Nawal Salameh: Our project started eight years ago. I was at home without work, and it was the first thing I could think to do without leaving my home and my two small children. I did a lot of embroidery designs and I collected many traditional items, thinking one day I could sell them. In Hebron, even if I finished university it was hard to get a job that I wanted. I had done volunteer work for a long time so I had to do something to bring in money without having to leave my children.

EL: And how did it grow into the cooperative we see today?

NS: I started out by myself and then shared the idea with my friends. I brought together groups of women in the same situation as me to try to help them sell their work. Then I tried to source a place to market our work and found a shop in the Old City. Day by day people started to hear about the only women’s shop in the Old City in Hebron, and many women from the nearby villages came to ask for help. Soon I was selling for 120 women from eight villages around Hebron.

EL: What do you think are some of the most immediate concerns of women in the West Bank and specifically in Hebron?

NS: Women around here are concerned about the occupation continuing. How about our children? Will they suffer like us or will there be peace soon? Will women have more rights than they have now? Some of our women know prisoners. Is there any hope for those in prison? Can we work together to remove the wall? All we want is a free Palestine.

EL: It is obvious to any visitor to Hebron that the Israeli occupation and the presence of settlers have had severe consequences for businesses in the area. What are the main challenges you face in the day-to-day running of the business?

NS: Our shop in the Old City of Hebron has been affected by the occupation, like the whole of Palestine. There is a settler tour every Saturday passing through the old souq [market] to the [Kiryat Arba] settlement. Many times they have created problems, with more than thirty soldiers to protect them from the Palestinians. The other problem is that the shop is close to the settlement, so there are often problems. When the news says there are problems, they scare people from coming to the Old City. It’s a tourist place but there are no tourists, so there is not much business in the Old City. It’s always the same story: don’t go to Hebron because it’s a dangerous place. But I say, come and talk to the people, you will like it very much. We are not going anywhere. This is Hebron and this is the Old City and this is our way to resist all these challenges.

EL: Your website (www.womeninhebron.com) says that one of your main objectives is to preserve Palestinian cultural heritage. Why is it so important that this heritage is maintained? Do you see this cooperative as a form of resistance to Israel’s occupation?

NS: Embroidery is something we take from our mothers and grandmothers. My mother taught me how to do the embroidery when I was small, and she did the same with my other four sisters, to make sure each of us could keep the Palestinian heritage alive. We take the designs from the old dresses of our mothers and our grandmothers. My mother’s work is better than my work. It’s a little different because we do traditional work but we alter it for international taste. I use the same patterns but in a new way.

When we first started to sell we found Hebron’s Old City was closed. A lot of owners had left in the second intifada and had forgotten about it. I liked the idea of staying there, kind of showing our resistance in the Old City.

EL: What next for Women in Hebron? Are your products available internationally?

NS: We are working on opening a new organization in my town, Idna, for women’s handmade products. We will open as soon as we get permission [from the Palestinian Authority]. And we want our organization to be one of the strongest in Palestine, with your help and support. Our work is available internationally and we are ready to come to the UK if someone invites us. We also invite volunteers to stay with us and participate in the work of the cooperative. I love embroidery and that’s why I feel I will succeed in this work. We are planning for a good future.
***
Many thanks for photos and text:
Fil Kaler
Emily Lawrence
the always amazing EI

Sunday, November 20, 2011

Hussein Ibish's "Fetishizing nationalism"

Hussein Ibish is senior research fellow at the American Task Force on Palestine. He blogs at www.Ibishblog.com. We've been discussing one of his many interesting blog posts. This one is on a topic oh so very familiar to the Palestine Costume Archive.

Have a read.  Good stuff.
Fetishizing nationalism
By Hussein Ibish, August 16, 2011

"For those in the grip of its authority, a clearheaded understanding of how nationalist ideology actually operates seems extremely difficult. 
"All contemporary nationalisms are based on constructed and imagined narratives about history, geography, culture, ethnicity and religion. Such narratives invariably involve a great deal of what can only be described as fiction. In particular, reading the past—whether real or imagined—as a justification for present-day political projects is, by definition, intellectually treacherous territory. 
"Last week I wrote about a new book tracing the history of Palestinian traditional dress in which I ruminated on the development of contemporary Palestinian national identity. Only a lingering degree of naïveté can account for my genuine surprise at the outpouring of outrage the column produced. I haven’t written anything this controversial in years, though all I did was assert that a new book helps demonstrate that Palestinian nationalism—while a contemporary, 20th-century phenomenon—is deeply rooted in broader Arab and ancient traditions and civilizations, and has its own distinctive cultural styles. 
"I had not taken into account the existential need some nationalists have to deny every aspect of a rival’s authenticity. The pro-Israel voices objecting to these virtually self-evident observations seem unconcerned with defending the Israeli national identity, but obsessed with attacking the invocation of any heritage or tradition on which Palestinian nationalism can draw. 
"The impulse to negate the other seems overwhelming. It appears much more powerful than any imperative to define, defend or interrogate one’s own nationalist identity, which is taken for granted. 
"These critics assume all aspects of Jewish and biblical Hebrew mythology, traditions and history automatically legitimize the Israeli national project. However, such claims were highly controversial among the Jews of the world for many decades, and are again being subjected to significant interrogation 
"The traditional Zionist narrative holds that only the present-day Jews of the world are the genetic, religious and cultural heirs of the biblical Hebrews and ancient peoples of the “holy land.” Everyone else is a Johnny-come-lately at best, with the Palestinians usually ascribed no deeper origins than the arrival of Islam in the area (a mere 1,200 years ago)—and in many cases much less than that. The idea that they too, and perhaps even more than Jewish Europeans, might have genetic, ethnic and cultural ties to the ancient and biblical peoples of the land—including the ancient Hebrews—has been rarely considered. 
"In the decades immediately preceding 1948, the word “Israeli” was totally unknown and meant nothing, and the word “Palestinian” meant many things, but certainly not what it means today. Both of these national identities—the Jewish Israeli and the Arab Palestinian—are contemporary constructs born of recent history. They are largely grounded in their encounter with each other. They also embody deep cultural memories, traditions, myths, legends and tendentious narratives that at least to some extent retrofit the past to privilege their own national projects. 
"But all of this is entirely beside the point. Neither the Palestinian nor the Israeli national identity is more or less “authentic” or “legitimate” than the other because both are self-defined nationalisms adhered to by millions of people. The extent to which they are based on imaginary constructs—as all modern national ideologies ultimately prove largely to be—is meaningless in practice. Objecting to these mythologies is the political equivalent of complaining about the rain. 
"Systematized discrimination or exclusion is, of course, unacceptable for any decent society. But modernity dictates a healthy respect for both the human rights of individuals inherent to their status as human beings and the rights of self-defining national collectivities to self-determination. Contemporary political and national identities, including the Israeli and Palestinian, are invariably based on a confused mélange of myth, legend and history. But that is politically irrelevant. They are what they are, say what we will. 
"The deployment of myth, legend, history and tradition in the service of contemporary and modern national projects is, at least at a certain register, intellectually and philosophically invalid. Yet nationalist agendas can help people secure their individual and collective rights, achieve self-determination, overthrow colonial domination and serve other useful purposes. 
"Indeed, no sizable group of people can function successfully in the world of modernity without participating in some national structure. Hence the urgent need to end the virtually unique statelessness of the Palestinians, who are not citizens of Israel or any other country. 
"The analytical challenge is to recognize that while not all nationalist claims are necessarily equally valid (they may speak on behalf of very few people, for example, and not really have the constituency they claim), in some important senses they are, however, all equally invalid. Championing one’s own nationalism as self-evidently “authentic” at the expense of a well-established, deeply-rooted and much-cherished rival identity is a particularly lowly form of self-delusion, chauvinism and fetishism."